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Jaqueline Berndt

manga studies, anime aesthetics, ‘media arts’ japan

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Tags

  • aesthetics
  • Angoulême
  • Anime
  • art history
  • art museum
  • book review
  • chibi
  • collaboration
  • comics
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  • discourse
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  • visual arts

Recent Posts

  • “Mangaforschung: Zwischen ,Populärkultur‘ und Comicspezifik” (2024)
  • “Exhibiting Manga, Representing ‘Japan’” (2024)
  • The Cambridge Companion to Manga and Anime (2024)
  • Taiwan Comics: History, Status, and Manga Influx 1930s – 1990s (2024)
  • “Kusazōshi as Comic Books?” (2024)
  • “Geschichte der Animation: Anime in Japan” (2023)
  • “Geister im Gitter: Anke Feuchtenbergers Kyoto-„Manga“” (2023)

“Permeability and Othering: The Relevance of »Art« in Contemporary Japanese Manga Discourse” (2001)

In: Critical Perspectives on Twentieth Century Japanese Thought, ed. by Livia Monnet, Montréal University Press 2001, pp. 349–375; https://books.openedition.org/pum/19887?lang=en

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Posted on 1 September 200118 July 2024Author JaquelineCategories book chapter, Manga, Visual ArtsTags art history, discourse, manga, open access

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